This is your workhorse zoom, the run-and-gun kind of lens. The only downside to this lens seems to be the variable aperture that goes from f2.8 up to f4 when zoomed in at 18mm.Ĭontinuing in the series comes the Panasonic Leica 12-60mm. Yet another Panasonic Leica, but this time it’s a zoom, the Vario-Elmarit 8-18mm.
Crisp image and wonderful bokeh close the package, and like the previous lens, it has a good manual focusing considering it’s not a cine lens. This glass is a little bit darker as it goes down to f1.4 when wide open but has a very small focusing distance that makes it almost a macro lens. A nice add on is also the built-in IS, not a feature we get easily on this kind of lenses, but lacks weather sealing, so watch out if you plan to shoot in the rain! Truth to be told, the Pocket isn’t weather sealed either, so you should consider some protection in any case.įollowing up in our list comes the Panasonic Leica 12mm Summilux. It opens up to f1.2 and has a great sharpness wide open. Let’s start off with the Panasonic Leica 42.5mm Nocticron.
So, without further ado, let’s take a tour at options available together with Arber Baqaj. Given it’s Micro Four Thirds lens mount, this camera opens up to some interesting lens choices besides the usual suspects.Īlthought a simple speed booster can accommodate any EF lens, this lens mount has some great native lenses available. As the shippings start to come in, the Blackmagic Pocket Cinema Camera 4K seems to be all the rage now.
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